Social Photography IX at Carriage Trade
Now in its ninth year, Social Photography brings together cell phone pictures of participants from a wide range of disciplines, generations, and places. In the spirit of broad access to cell phone image making technology, the emphasis of the project leans toward sensibility and the anecdotal over skill and mastery of the medium of photography. Taking advantage of technologies that allow for images to be sent from anywhere, which are then formatted, printed, and displayed in an in-person exhibition at carriage trade, the range of participants in Social Photography reflect both the gallery’s community in Lower Manhattan as well those associated with it in other parts of the world. Linking the virtual with the physical through an online display that is then presented in print form, Social Photography IX might be seen as a counterpoint to the increased placelessness of remote exchanges normalized in the pandemic-era. Spanning nearly a decade, the growing, informal archive of Social Photography cell phone pictures occasionally reflect significant local, national, and international events (Occupy Wall Street, George Floyd protests, U.S. presidential elections, pro-democracy movements in Hong Kong) existing side by side with the everyday, the personal, the urban, and the domestic. With a limited curatorial […]
